Dylan Read
Theatre credits include: Twelfth Night, The Hour We Knew Nothing of Each Other, Cockpit (Royal Lyceum Theatre Edinburgh), Macbeth (Royal Shakespeare Company), Ragnarok (Tortoise in a Nutshell), Daphne Oram's Wonderful World of Sound, Secret Show no. 1 (Blood of the Young), Déjà, Harrison (The Krumple), Les Épopées Quotidiennes (Les Compagnons Butineurs), Sea Hames, Ororgraphic, Transfigured (Oceanallover), Artificǐu (Inês Campos), The Shadow of Heaven (Al Seed), Buff & Sheen (Moonslide), Ubu Roi (Ludens Ensemble), Hummingbird (Tooth + Nail), no + politics or What We Want (Tatraum Projekte), Miraculi: Stories from Lampeduse (Théâtre Senza), Pirates! (Scottish Dance Theatre)
Other credits include: The Portal (Lepus Productions), Ùrlar (National Trust for Scotland), Ghost Light (National Theatre of Scotland), John Byrne Day (Kelvingrove Art Gallery and Museum), Baudelaire: Botanist of the Sidewalk (Rimbaud and Verlaine Foundation), Dada Triptych (Loughborough University), Collective Endeavours (Collective Endeavours), Ballad of the Crone (Leonor Estrada Francke), The Fool's Journey (Lucas Chih-Peng Kao), Once Upon a Time [après John Cage] (Le Miroir), Rimbaud's Illuminations (British Library), Embodying Labour, Collectivity and Resistance (Scottish Trades Union Congress).
Dylan is a performer and theatre-maker based in Glasgow. He trained at École Jacques Lecoq and subsequently with Philippe Gaulier, Kristin Linklater, A de Castro, Katie Duck, Julian Boal and Moeno Wakamatsu.
Related items
The Merchant Of Venice - Secret Seats
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Former MP Mhairi Black embraces her trademark dark sense of humour to reflect on her time in Westminster, providing a first-hand, ruthlessly honest look at 21st century politics.