Dylan Read
Theatre credits include: Twelfth Night, The Hour We Knew Nothing of Each Other, Cockpit (Royal Lyceum Theatre Edinburgh), Macbeth (Royal Shakespeare Company), Ragnarok (Tortoise in a Nutshell), Daphne Oram's Wonderful World of Sound, Secret Show no. 1 (Blood of the Young), Déjà, Harrison (The Krumple), Les Épopées Quotidiennes (Les Compagnons Butineurs), Sea Hames, Ororgraphic, Transfigured (Oceanallover), Artificǐu (Inês Campos), The Shadow of Heaven (Al Seed), Buff & Sheen (Moonslide), Ubu Roi (Ludens Ensemble), Hummingbird (Tooth + Nail), no + politics or What We Want (Tatraum Projekte), Miraculi: Stories from Lampeduse (Théâtre Senza), Pirates! (Scottish Dance Theatre)
Other credits include: The Portal (Lepus Productions), Ùrlar (National Trust for Scotland), Ghost Light (National Theatre of Scotland), John Byrne Day (Kelvingrove Art Gallery and Museum), Baudelaire: Botanist of the Sidewalk (Rimbaud and Verlaine Foundation), Dada Triptych (Loughborough University), Collective Endeavours (Collective Endeavours), Ballad of the Crone (Leonor Estrada Francke), The Fool's Journey (Lucas Chih-Peng Kao), Once Upon a Time [après John Cage] (Le Miroir), Rimbaud's Illuminations (British Library), Embodying Labour, Collectivity and Resistance (Scottish Trades Union Congress).
Dylan is a performer and theatre-maker based in Glasgow. He trained at École Jacques Lecoq and subsequently with Philippe Gaulier, Kristin Linklater, A de Castro, Katie Duck, Julian Boal and Moeno Wakamatsu.
Related items
Lyceum Youth Theatre Young Ensemble Spring Term (18-25)
Join a professional director to explore a range of dramatic conventions and practitioners. No experience required!KELI
–KELI tells the story of a fiery teenager living in a former mining town, who feels trapped by her small town life with only music keeping her alive. But with change on the horizon is she ready for what is to come?