Liz Kettle
Theatre credits include: Count Dracula/Jean in Dracula - Mina’s Reckoning (National Theatre of Scotland); Queen Margaret in Richard III (Rose Theatre/Liverpool Playhouse); Carlin in Macbeth (an undoing) (Royal Lyceum Theatre Edinburgh); The Girl on the Sofa (Royal Lyceum/Berlin Schaubühne/Thomas Ostermeier); Henry VI (Royal Shakespeare Co./World Tour); Caliban in The Tempest (Tron Glasgow); Waves, The Seagull, Attempts On Her Life (all directed by Katie Mitchell at the Royal National Theatre, National European Tour & Broadway); Catch 22 (Rachel Chavkin for Northern Stage); TRUTH – Song Theatre (Stephen Hoggett/Helen Chadwick National Tour); Richard III, Taming of the Shrew (Phyllida Lloyd for the Globe Theatre); Iphigenia in Aulis (Abbey Theatre, Dublin); Laertes in The Roaring Girl’s Hamlet (Sphinx Theatre Co.); Plasticine (Domonic Cooke for Royal Court); Antonio in The Tempest/Stürm (Schauspiel Köln and Hamburg).
Film, TV & Radio credits include: The Crown (Netflix); Unforgotten IV, Paris with Alexei Sayle (ITV); The Secret Life of Mrs Beeton, Doctors (BBC); Fracture (20th Century Digital/Disney); Honoria Glossop in Jeeves & Wooster; Inspector Morse; Rosemary & Thyme; Poirot; Keli (Martin Green/Wils Wilson/Lepus Arts); Between Us (Napier); The Final Journey (John Strickland for Working Title).
Related items
Season Launch 2025/2026
Join us for the launch of The Lyceum’s 60th Anniversary Season, the first from newly appointed Artistic Director, James Brining. James will host an evening with special guests and talk us through the shows for the upcoming season. We’d love to see you there. *Please note, tickets for this event are free with a suggested donation.The Mountaintop - Secret Seats
–Test your luck and book an unreserved ticket for £15 (plus £1.95 booking fee). You may be in the Upper Circle, or you could end up in the Stalls!Black Is The Color Of My Voice
–Inspired by the life of Nina Simone, and featuring many of her most iconic songs performed live, Apphia Campbell's stunning play has been acclaimed by critics and audiences alike for over 10 years.